Events
We can also agree that taking care of my old mother is my bounden duty. Even though she has hurt me all her life. Why? Because it was commanded to us from above. How else would we know what is right?
Also that I have no right to take someone’s life. Except when that life is still in my womb, and not older than 12 weeks.
Can we agree on that? If not, then…
Let's reach an agreement.
AKCENT - based on the book Rozviazané jazyky by Jozef Tancer
The performance is part of the official pragramme of [fjúžn] Festival.
Old people's stories are often disjointed and boring. Do we really have to listen to them all the way through? Names get mixed up, dates become confused, and among elderly Bratislava residents even languages blend together. How will you tell your grandchildren about today? About your wedding? About everyday life in Bratislava? What language will you speak? Assuming, of course, that your mouth will still obey your brain.
This production was created using material from Jozef Tancer's book Rozviazané jazyky (Untied Tongues).
The performance is presented in three languages—Slovak, Hungarian, and German—and is subtitled in all three languages.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audiences.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audiences.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audiences.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audiences.
Performance for the local school only.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audiences.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audiences.
Performance for the local school.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audiences.
The interactive family performance presents the traditional dance types and dialects of Central Europe, conveying connections and insights that were long ago highlighted by the work of György Martin, yet are rarely discussed today. Set within the framework of a classroom lesson, the performance helps children understand how the traditions of our past are connected — and can still connect — to the world of the present.
The audience becomes acquainted with Hungarian, Moravian, Ruthenian, Romanian, Slovak, Romani, and Gorál traditions. Through its direct and playful tone, the production creates an engaging bridge between the fascinating world of traditional culture and young audience.
Performance for students of the local school.